歸屬 GUI SHU (Belong)
Savage Grace 2021
Feminism has no Borders
Muse
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Steamworks Arts
We believe that the Arts does change lives and are committed to shaping an Australian performing arts culture that reflects and engages with our changing society and our region, while championing the voice, presence and creativity of women in performance.
Steamworks at SHORTCUTS 2022
We are delighted that short dance film The Silence Knew is being presented as part of STRUT, National Choreographic Centre's, Shortcuts program 2022. Presented over two nights in a joint program(B) with some of WA's exciting emerging dance works from 19-21 May at Kings Street Arts Centre in Perth WA.
Choreographed by Director Sally Richardson with dancer Jacqui Claus and performed by Jacqui Claus, the work was filmed and edited by Fionn Mulholland with music composed and performed by Australian composer Rachael Dease.
The work is an exploration of longing, captured in a memory space in a time of isolation and solitude. The symbiotic and sensual relationship that exists between the performer and her instrument...I hear the music, I feel the music, I become the music.
Directly inspired by the haunting lyrics of the Rachael Dease song The Silence Knew from her album Hymns for End Times (2021)
Shot on set at the State Theatre of Western Australia during SITU-8 program in 2020.
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Steamworks at SHORTCUTS 2022
We are delighted that short dance film The Silence Knew is being presented as part of STRUT, National Choreographic Centre's, Shortcuts program 2022. Presented over two nights in a joint program(B) with some of WA's exciting emerging dance works from 19-21 May at Kings Street Arts Centre in Perth WA.
Choreographed by Director Sally Richardson with dancer Jacqui Claus and performed by Jacqui Claus, the work was filmed and edited by Fionn Mulholland with music composed and performed by Australian composer Rachael Dease.
The work is an exploration of longing, captured in a memory space in a time of isolation and solitude. The symbiotic and sensual relationship that exists between the performer and her instrument...I hear the music, I feel the music, I become the music.
Directly inspired by the haunting lyrics of the Rachael Dease song The Silence Knew from her album Hymns for End Times (2021)
Shot on set at the State Theatre of Western Australia during SITU-8 program in 2020.
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Steamworks Arts acknowledges the Traditional Owners of this country across Australia, recognising their continuing connection to land, waters and community. We pay our respects to them and their cultures; and to elders both past, present and emerging.
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